Lawrence Lessig’s latest, and reportedly last, Creative Commons related book, Remix: Making Art and Commerce Thrive in a Hybrid Economy, has been released and it looks very impressive! Here’s the blurb :

For more than a e of the 20th Century’s model of “copyright law.” In this, the last of his books about copyright, Lawrence Lessig maps both a way back to the 19th century, and to the promise of the 21st. Our past teaches us about the value in “remix.” We need to relearn the lesson. The present teaches us about the potential in a new “hybrid economy” – one where commercial entities leverage value from sharing economies. That future will benefit both commerce and community. If the lawyers could get out of the way, it could be a future we could celebrate.

As the founder and leading light of the Creative Commons movement, Lessig is ideally situate to comment on these matters. Indeed, as I wait for my copy to arrive in the mail, my only disappointment is that the book didn’t come out a few months earlier – my honours students are currently completing their own remix projects and this would have been the perfect companion text (you can see the chapter breakdown to get an idea of the content). As with all of Lessig’s books, a freely redistributable version will be released shortly, this time under the Bloomsbury Academic imprint, a new line of academic books which will release all of their titles under CC or similar licenses allowing free redistribution (if you’re interested, you can read an interview with Bloomsbury Academic’s publisher Frances Pinter about this new line).

As well as the book, you’ll definitely want to watch out for Brett Gaylor’s new documentary RiP: A Remix Manifesto which takes a look a remix culture via interviews with the usual suspects (Lessig, Doctorow), but with mashup and remix artist Girl Talk as the focal story. Here’s the trailer:

Support the Creative Commons – 2008 Fundraising & Awareness Campaign

Regular readers of this blog will know I’m a huge fan of the Creative Commons, both in terms of their licenses – which allow artists and other creators to explicitly and legally state which rights they wish to share, and which they wish to retain, rather than having to rely on the old default of either no rights (the public domain) or all rights reserved (traditional copyright licensing) – and in terms of their philosophy of a global commons which stimulates creativity, culture and connectivity https://kissbrides.com/fi/coffee-meets-bagel-arvostelu/. Case in point this video by Jesse Dylan called A Shared Culture:

[Video CC BY NC SA USA 3.0. Full licence information and attributions for works featured in the film are available on the A Shared Culture page.]

In order to support the Creative Commons mission, the central office in the US holds an annual fundraising and awareness-raising campaign: why not Help Build the Commons? As part of the campaign, also being launched is the CC Network, which looks to be some sort of CC-centric social profile-cum-networking page (the network looks a bit rudimentary right now, but I’m sure there are developments in the pipeline). And to kick things up a notch, instead of the CC-related still photography competition of the past few years, this year’s CC fundraiser includes a call for creative videos explaining/exploring/explicating CC in some way (and some way under 90 seconds long!).

Tama Leaver dot Net

Creative Commons licenses continue to be the single most important mechanism in allowing my Communication Studies students sharing their work with the world, complete with the legal protections they want (most often, attribution) whilst giving away certain rights, including the right to share and distribute, both philanthropically and as a means to build their own profiles as content (re)creators! So, I’ve made my donation this year (you can see my CC Network page here) … have you?